January.
The air knuckles down, blunt and bare,
each breath a fist,
and the year,
fresh as a whitewashed wall,
leans into the wind’s frigid rattle.
Roads are bruise-blue,
cars hunch on driveways like stray dogs
dusted in frost.
Every tree, stripped to its skeleton,
clutches at the sky
with brittle hands,
while hedgerows mutter secrets
into the crackle of ice.
Morning breaks reluctantly,
dragging its boots through mud and ash,
and night,
an eager trespasser,
pushes hard against the hours.
Inside, we stoke the old rituals –
fire, stew,
the creak of a staircase
echoing through a house too still.
Somewhere, a clock coughs
as the minutes settle in their new skin.
January asks for patience,
a steady hand on the tiller,
as it carries us across the coldest tide.
We count shadows
on walls and windows,
measure light
like it’s rationed,
and wait
for the thaw.
Cy Twombly.
His hand speaks in murmurs,
a stammer of lines
that unravel thought
like loose thread.
The canvas isn’t blank;
it’s a battleground,
a palimpsest where language
falls apart.
He scribbles the ghosts of gods,
Apollo tangled with a child’s scrawl,
Venus blushing beneath a smear of red.
History crawls through his fingers,
ancient whispers
caught in the thrum of graphite.
Nothing is neat—
love bleeds,
time spills,
desire leaves its fingerprints everywhere.
The sea crashes
in streaks of white,
while words—half-formed,
barely breathing—
hang like smoke
over the ruins.
You stare and feel
the raw pulse of it:
art as heartbeat,
as unfinished sentence,
as the infinite,
always just out of reach.
Vapour Trails.
The sky bears scars,
white threads pulled taut
across the blue,
a fleeting geometry
etched by engines
that have already
vanished.
Each line is a story
you’ll never know—
a seatbelt click,
a tray table rattling,
the quiet calculations
of altitude and arrival.
Down here, they seem permanent,
sharp as chalk on slate,
but watch long enough
and they blur,
ghosting into nothing,
as if they were never there.
Maybe that’s the point:
to leave a mark
that only the sky remembers,
a bright stroke of longing
too high to touch,
too far to hold.
On my drive to the airport to pick up our holiday guest the sky was bright blue, empty of clouds but full of white streaks from all of the people flying to home…or away from home. There was at least a dozen…and it was stunning to think that we live in a world where we are only a flight away from the people we love.
But also that flight isn’t a method of transport that everyone has access to…and that the environmental impact of flight is so huge.
Your poem was so beautiful and impactful. All of them. But especially that one.
I imagine January as a boxer after reading that top poem. Very vivid imagery.